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José Manuel Hernández, baryton.
Is a graduate of the Royal Conservatory of Madrid. He also studied baroque cello at the Sweelinck Conservatorium of Amsterdam under Wouter Möller. Other teachers have included Richte van der Meer, Jaap ter Linden and Rainer Zipperling (cello) and Pere Ros and Ventura Rico (viola da gamba). He is a member of several early music groups including Gabinete Armónico, and is co-founder of the Brunetti String Quartet and the Millennium Viola da Gamba Consort. As a soloist he performs suites by Bach as well as solo sonatas by other composers. He has appeared in festivals in Spain and abroad and has recorded for the Spanish Radio, Polska and Suisse Romande. His CD recordings have been for Sony, Erato, Glossa, A y B, Dorian Records, Arsis and the Spanish Society of Musicology. He teaches baroque cello at the Royal Conservatory of Madrid and cello at the Teresa Berganza Conservatory (Madrid). His instrument is a copy of Stadlmann baryton made by Owen Morse Brown in 2005.
Elena Borderías, viola.
She started her musical studies in her native city Madrid; afterwards she moved to London where she got her Final Diploma in 1993 at the Guildhall School of Music and Drama. In the meantime she specilized on baroque violin with Micaela Comberti. She has been a member of the Orquesta ciudad de Granada (Josep Pons) for seven years; since 1999 she enjoys a period of extended leave of absence that allows her to play with different groups and orchestras. As a free-lance violinist she works feat. Amsterdam Baroque Orchestra (Ton Koopman), Collegium Vocale Gent (Philippe Herreweghe), Le Concert ds Nations (Jordi Savall), European Union Baroque Orchestra (Roy Goodman), Orquesta Barroca de Sevilla and Orquesta de Cambra Teatre Lliure of Barcelona. She also forms part of several chamber music ensembles: Capilla Musical "Los Extravagantes", Schola Antiqua de Granada, La Tempestad, Cuarteto Brunettu, Tornavoz and Trio Baryton de Madrid. Right now, moved by her interest in the musician´s physical problems, she is working on the Grinberg Method, a technic based on the reflexology.
Asunción Tarrasó, violonchelo.
She begins her musical studies in the Conservatoire of Music of Valencia, with the violonchelo teacher Alejandro Abad. Later she studies violonchelo with the teacher Lluis Claret in L'Escola of Music in Barcelona and with the teacher Marçal Cervera in the Staatliche Hochschule für Musik Freiburg (Germany). Likewise, she is in Freiburg where he is formed as teacher of Technique Alexander. She was a member of orchestras as "Collegium Musicum" of Valencia or the Young National Orchestra of Spain, and she collaborates with diverse orchestras in Spain, Switzerland and Germany. She begins in the study of the baroque violonchelo with Itziar Atutxa and in diverse courses with the teachers Reiner Zipperling and Gaetano Nasillo. She deals the top studies in the speciality of violonchelo baroque with the teacher Jose Manuel Hernández in the Royal Conservatoire of Music of Madrid. She is a member of the groups Arcanus and Locus Musicus, teacher of Technique Alexander and Therapist Gestalt. |
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Trio Baryton de Madrid are:
José Manuel Hernández, baryton;
Elena Borderías, viola and
Asunción Tarrasó, violonchelo
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